Emma trained at Rose Bruford College and is as a director, writer and actor for the stage. Her directing credits include Jane Eyre (Heartbreak Productions), Blackout (Untamed Productions), and will be directing David Walliams’ Bad Dad in summer 2023 (Heartbreak Productions). She has also acted in a number of stage productions, including Dream On (English Theatre Company), Blackout (Untamed Productions), A Midsummer Night's Dream (Heartbreak Productions), Blithe Spirit (Tethered Wits) and Pericles (White Crane Productions). Her writing credits range from collaborative devised theatre (Wonder with Grimm, The Unreturn of Lydia Osborn) script writing and adaptations for various companies (Jane Eyre, Twelfth Night, Escape from Lockdown, The Great Gatsby) and poetry (Getting Over Myself - And Other People).

Gabriella is a producer whose highlights include winning Best Production at the Scottish Theatre Awards at Edinburgh Fringe 2022 and being awarded a prestigious Stage One Bursary. She is a Director of Tethered Wits, and Gabriella Sills Productions, focusing on new writing in the Off West End. She also works in theatre marketing on Olivier Award nominated shows such as 'SIX', 'The Play That Goes Wrong', and 'The Tiger Who Came to Tea'.

Producer credits include: 'Breeding' (in association with Mark Gatiss, King's Head Theatre); 'Agatha' (Theatre503); 'Blackout' (Theatre503, Old Joint Stock); 'Bits ‘N’ Pieces' (Best Production at the Scottish Theatre Awards, Leith Arches); '1902' (Off West End Award Winner, UK Tour); 'Choose Your Fighter' (Leicester Curve Studios), 'Blithe Spirit' (Open-air Tour); 'Pygmalion' (Open-air Tour).

As Associate Producer: 'Starry' (London Workshop, The Other Palace).

Instagram: @gabriellasillsproductions

Twitter: @GS_Prods

Ashok is an accomplished recialist, performing in major music centres including Wigmore Hall, Birmingham Symphony Hall, Holywell Music Room, Bonn Beethoven-Haus and festivals including Glyndebourne, Oxford Lieder, Leeds Lieder, Buxton and Cheltenham. Described by the Times as “a thoughtful and sensitive pianist”, he was prize winner at the 2016 Ferrier Awards, the 2017 Bonn Beethoven Competition and the 2018 Royal Overseas League Competition. Ashok is in increasing demand as a conductor, this year assisting on Garsington Festival Opera's Il Barbiere di Siviglia and The Royal Danish Opera's La Clemenza di Tito. His arrangements for Jasdeep Degun and Cameron Shahbazi have been recorded by OperaVision and Deutsche Grammophon. This is Ashok's first theatre music credit since 2009 when he wrote incidental music for a production of Death of a Salesman at the ADC Theatre in Cambridge. 

Amy has a keen interest in both theatre and music and has performed in venues such as: The Royal Albert Hall, Edinburgh Fringe Festival, St. Paul’s Cathedral, the Gala Theatre, the Bacon Theatre, and The Playhouse Theatre, Cheltenham. She was honoured to sing with the award-winning and internationally renowned chamber choir Tenebrae in Perth, Scotland, under the direction of Nigel Short. Subsequently, she was delighted to join Tenebrae again, this time on tour to Germany, where she performed in three concerts in Bremen Cathedral. Stage credits include: Kate Keller (All My Sons), Ophelia (Hamlet), Sonia (Uncle Vanya), Elvira (Blithe Spirit), Helen (The Last Days of Troy), Cecily (The Importance of Being Earnest), Bianca (Taming of the Shrew), Olivia (Twelfth Night), Titania (A Midsummer Night’s Dream), Alison (Look Back in Anger), Kathy (Singin’ in the Rain), Tracy Lord (High Society) and Cathy (The Last Five Years). Amy graduated from Durham University with a First Class Degree in Music, where she held a Vice Chancellor’s Scholarship for the Arts. Durham Alumni, in 2019.